Alberto as a pickle

ALBERTO ALEPUZ

ALBERTO ALEPUZ

ALBERTO ALEPUZ

I have been messing with Gen AI since 2022; but it was in 2025 when I finally saw the tools evolve so they could start to accurately shape the stories that I have been writing for years, but never found the time or the budget to film.

I have been messing with Gen AI since 2022; but it was in 2025 when I finally saw the tools evolve so they could start to accurately shape the stories that I have been writing for years, but never found the time or the budget to film.

I have been working in the filmmaking industry for a couple decades now in Spain, China, New York and Los Angeles. I started working in commercials and slowly moved away from it to focus on documenting the best downhill skaters in the world for some of the biggest brands involved in it.

I have been working in the filmmaking industry for a couple decades now in Spain, China, New York and Los Angeles. I started working in commercials and slowly moved away from it to focus on documenting the best downhill skaters in the world for some of the biggest brands involved in it.

I have also worked on film sets, music videos and projects for Netflix as cameraman and film editor like in the show Money Heist in seasons 3 and 4, but I have always focused more on personal projects. I am also currently working for Gossip Goblin Studio, one of the leading AI film studios in the world, pushing the AI filmmaking tools to their limits in terms of workflows and creativity.

I have also worked on film sets, music videos and projects for Netflix as cameraman and film editor like in the show Money Heist in seasons 3 and 4, but I have always focused more on personal projects. I am also currently working for Gossip Goblin Studio, one of the leading AI film studios in the world, pushing the AI filmmaking tools to their limits in terms of workflows and creativity.

Yago as a pickle, wearing glasses

YAGO SORIA

YAGO SORIA

YAGO SORIA

I’m from Mallorca and spent almost ten years living in the Dominican Republic. That’s where I started several of the documentary projects I’m still following today, getting to know people and places and letting the stories develop over the years.

I’m from Mallorca and spent almost ten years living in the Dominican Republic. That’s where I started several of the documentary projects I’m still following today, getting to know people and places and letting the stories develop over the years.

My work moves between photography, films and photobooks. I’ve worked with Cortona On The Move and Internazionale, received the 2026 Hasselblad Foundation Photobook Grant, and I also teach photography at LABASAD.

My work moves between photography, films and photobooks. I’ve worked with Cortona On The Move and Internazionale, received the 2026 Hasselblad Foundation Photobook Grant, and I also teach photography at LABASAD.

At Pickle Studio, I bring that background into generative AI, exploring the freedom to build scenes and characters from scratch. I’m interested in telling stories with the same attention to light, composition and atmosphere that I bring to my camera work.

At Pickle Studio, I bring that background into generative AI, exploring the freedom to build scenes and characters from scratch. I’m interested in telling stories with the same attention to light, composition and atmosphere that I bring to my camera work.

Together with Alberto, I work on commissioned projects, personal experiments and fairly absurd things we simply want to see on screen.

Together with Alberto, I work on commissioned projects, personal experiments and fairly absurd things we simply want to see on screen.